The Pink Panther Strikes Again Scene Dramati Scene

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Title Screen	Movie Title/Twelvemonth and Scene Descriptions	Screenshots
	The Palm Beach Story (1942) the frenzied opening credit montage of confusing, mystifying marital vignettes without dialogue (unexplained until film'due south stop) the two unzipping of gown romantic scenes betwixt Gerry and poor struggling inventor husband Tom (Joel McCrea) the grapheme of the hard-of-hearing "Wienie King" (Robert Dudley) the madcap scenes on the southbound train to Florida when scatter-brained, fortune-hunting, runaway wife Gerry Jeffers (Claudette Colbert) experienced the Ale & Quail Club - an unruly group of aging sportsmen and millionaires the wacky grapheme of crackpot billionaire J.D. Hackensacker Iii (Rudy Vallee) and his yacht, with pithy, funny one liners: "Chivalry is non but expressionless, information technology's decomposed!" and "That's one of the tragedies of this life - that the men who are nigh in need of a beating up are ever enormous!" Hackensacker's oversexed, oddball heiress sister Princess Centimillia (known as "Maude") (Mary Astor) the "Goodnight Sweetheart" serenade scene
	Paper Moon (1973) the early sequence in Gorham, Kansas in the mid-1930s at a gravesite for the funeral of Essie Mae Loggins: the casual coming together of the deceased mother's young and precocious, orphaned 9 year-old Addie Loggins (Tatum O'Neal), and fly-past-dark Bible-selling con-human Moses "Moze" Pray (Ryan O'Neal) - a family acquaintance (and her suspected 'father') the diner scene in which Addie (while eating a Coney dog and drinking a Nehi soda) convinced Moze to allow her accompany him on the road; she argued that the $200 given to him equally compensation for the DUI car accident that killed her mother exist given to her: ("We got the SAME jaw!" and "I want my $200"); she demanded the money, or she would written report him to the police; he agreed to remain with her until he earned back the money to pay her the scene of Moses' first unethical swindling past selling Bibles to recent widows, while representing the Kansas Bible Company and claiming the deceased husband had ordered the Bible; Mozes' commencement victim was Pearl Morgan, who bought a $7 Bible; from the machine, Addie shrewdly watched the scam and realized how he was cheating and manipulating widows to make money the image of the young Addie in their shared hotel room their offset dark, smoking in bed (Moses: "You're too young to smoke, you're gonna set this whole place on fire (long pause in the darkness) I now owe you lot $103.72 cents" - she corrected him: ".74") - she frequently cussed Addie shrewdly suggested increasing the Bible price in certain circumstances, such as "12 dollars" for widowed Marie Bates (Yvonne Harrison) - paid for by a friendly lawman (Ed Reed), and conversely giving Bibles away free of accuse to poor clients, such as Elvira Stanley (Eleanor Bogart), only charging "24 dollars" for rich widow Edna Huff (Dorothy Forster) the scene of Addie'due south con of an unsuspecting salesgirl Miss Bramwell (Dejah Moore), claiming that she had given the vendor a $20 bill rather than a $5; Addie also swindled a distracted cotton wool processed salesman (Desmond Dhooge) the romantic entrancement of Moses at a carnival, in the Harem Slave show tent, for gilded-digging, good-time girl and exotic dancer Miss Trixie Delight (Madeline Kahn); Addie took an immediate jealousy-fueled dislike for Trixie in a hilarious scene with a priceless monologue, Trixie tried to cajole Addie on a hillside to come down to the car and sit in the back seat - Addie refused and insisted on taking her place in the front seat; eventually Addie agreed to sit down in the back, when Trixie predicted that Moze would tire of her and she would soon be on her fashion: ("You don't accept to worry. Ane of these days, you're gonna be just as pretty as "Mademoiselle," mayhap prettier. You lot already got bone construction. When I was your age, I didn't take no os structure. Took me years to become os structure. And don't think bone construction'south not important. Nobody started to telephone call me "Mademoiselle" until I was seventeen and gettin' a fiddling bone structure. When I was your age, I was skinnier than a pole. I never thought I'd have nothin' up here. You lot're gonna have 'em upwardly there, likewise. Expect, I'll tell you what. Want me to evidence you lot how to utilize cosmetics? Look, I'll allow you put on my earrings, y'all're gonna see how pretty you're gonna exist. And I'll show y'all how to make up your eyes. And your lips. And I'll see to it you become a piffling bra or somethin'. Only right at present, you're gonna pick your petty ass upwards and you lot're gonna driblet it in the back seat and you're gonna cut out the crap - you sympathise? You lot're gonna ruin information technology, ain't ya? Look, I don't wanna wipe yous out. And I don't want yous wipin' me out, yous know. So, I'm gonna level with yous, okay. At present, you see with me, it's merely a matter of time. I don't know why, but, somehow I just don't manage to hold on existent long. And so, if yous look it out a little, it'll exist over, you know. And even if I want a fella, somehow I manage to get it screwed upward. Perchance I'll go a new pair of shoes, a nice dress, a few laughs. Times are hard. Now if you fool around on the hill upwards hither, so you lot don't get nothin'. I don't get nothin'. You lot don't get nothin'. And so how 'bout information technology, love? Simply for a little while. Let ol' Trixie sit upward front with her large tits") and afterward, the scene of Addie ingeniously devising a scheme to separate Trixie from Moses by having her bed Floyd (Burton Gilliam), their front-desk hotel clerk the tearjerking scene of young Addie beingness dropped off at her relative Aunt Billie'southward (Rose-Mary Rumbley) place in St. Joseph's, MO; as he removed her luggage, she left him an envelope with a picture of herself in his car - it had been taken at the funfair of her sitting on a 'paper moon' (a crescent moon swing) - her objective was to be reunited once again with him on the route shortly subsequently in the moving-picture show'due south conclusion, the scene of their reunion -- Addie ran away from her Aunt'south place, then that she could proceed swindling and grifting with Moses on the road; she ran later on him with her bag and establish him but a short way down the route (he had paused and had 2d thoughts later on he had found her 'newspaper moon' picture); at first, however, he told her: "I don't desire yous ridin' with me no more than" - she firmly disagreed and retorted: "You withal owe me $200!" - and although he was outraged with her, they both institute themselves jumping onto his dilapidated, brakeless Model T farm truck that began rolling abroad
	The Political party (1968) in Blake Edwards' slapstick-improvisational one-act, Peter Sellers portrayed Hrundi V. Bakshi, an unknown Indian actor (in a big-budget production of Son of Gunga Din nigh a dark-skinned bugler who refused to die) who was the cause of a massive premature explosion that ruined the set (before filming commenced) when he went to suit his sandal strap and stepped on the dynamite plunger the flick's premise: because of a clerical mistake, Bakshi was inadvertently placed on a list of invitees to a lavish Hollywood dinner political party at the home of studio head Fred "Full general" R. Clutterbuck (J. Edward McKinley), rather than being blacklisted the many sabotaging mishaps experienced by the bumbling, polite, but accident-prone Bakshi at the lavish party, including rinsing mud from the flower bed off his shoe that was quickly lost in a flowing indoor water canal in the domicile and ended upwardly on the hors d'oeuvres platter ("Well, I'm on a diet but the hell with information technology") further mishaps: while mingling with other guests, listening to a story told by a congressman about a robbery and mistaking it every bit a joke: ("They took the gold watch that your father left y'all? I'thou sorry. Information technology is utterly fantastic. What a wonderful matter for anyone to practice. Take everything, including the male parent's sentry. It's wonderful, wonderful. I tell you, tonight is one large circular of laughter. All fun and laughter"); his meeting up with cowboy screen-star "Wyoming Bill" Kelso (Denny Miller) during a game of pool and subsequently accidentally shooting him in the forehead with a toy gun (with harmless rubber-suction cup projectiles); Hrundi's bad-mannered waltz-dance with one of the hip guests who wasn't pleased with his old fashioned moves and quickly quit when the music stopped ("That was a short dance...And they don't get on for long, practice they? Yes, we simply started, and well, anyhow, thank y'all very much...Perhaps we tin trip the light fantastic over again afterwards... if your carnet du bal is not full up"); the feeding of a enervating caged macaw bird with "Birdie Num Num" and dropping the pellets on the floor, the accidental activation of a lighted control panel (for the intercom PA organization which broadcast his chicken impersonation, the puddle'south fountain (a urinating cherub), and a retractable moving bar), the stinky caviar hand-shaking sequence Hrundi's very low seat at the dinner tabular array, and the sailing through the air of his plate of cornish-game hen (that became impaled on the tiara of a female invitee who was revealed to be wearing a wig), the knocking of the drunken waiter-servant into a plate drinking glass window, the setting off of lawn sprinklers, the clogging-flooding of the upstairs toilet and bath (with a toilet paper scroll that never stopped unwinding), the appearance of a retractable pool that many guests (including Bakshi) savage into, the soapy washing of a babe elephant (led by teenagers from a love-in, and painted with psychedelic colors and various 60s slogans such as Chicken Lilliputian Was Correct) that acquired the Air-conditioning organisation to blow mountains of lather-suds bubbles throughout the mansion Bakshi's infatuation with Michele Monet (Claudine Longet), producer C.S. Divot's (Gavin MacLeod) latest aspiring French extra-starlet
	Pass the Gravy (1928) (brusque) the slapstick engagement party-dinner scene with next-door neighbour Schultz (Bert Sprotte) (who raised chickens) as the guest of honor, in which hapless, freckle-faced son Ignatz (Spec O'Donnell) - instead of using the $ii dollars given to him past his cantankerous father Max (Max Davidson) to purchase craven for the meal, pocketed the money, killed the neighbor's prize-winning cock-rooster named Brigham, and information technology was roasted for dinner during the meal in a hilarious and tense sequence, the boy attempted to signal and communicate the error he had made to his father (the rooster's "First Prize" metal identification ring was visible on the drumstick leg on Schultz's plate), without alerting Schultz himself; merely Ignatz, his sis (Martha Sleeper) and her fiancee (Gene Morgan) were enlightened of the problem, and they frantically tried to pantomime to Max, and chaotically concluded up playing 'football game' with the drumstick
	Pat and Mike (1952) the scene of outdoorsy athlete and college phys-ed instructor Pat Pemberton (Katharine Hepburn) being criticized for her lack of coordination on the golf course (and advised to tense upwards her gluteal muscles in gild to help her golf-stance) by screechy Mrs. Beminger (Phyllis Povah), and her retort after twice pushing her into a chair before hitting nine teed-up golf balls in a row: ("If yous could perchance elevator the needle from that long-playing phonograph yous keep in your confront....Scout this. Will you excuse me? (She struck ix golf balls) (To Mrs. Berninger) You know what yous tin exercise with your gluteal musculus? Give information technology abroad for Christmas") the scene of sports promoter Mike Conovan (Spencer Tracy) telling Pat: "A lady athlete properly handled - always a marketplace...I don't recollect you've ever been properly handled" and her antiphon: "That'southward right, not even past myself"; and and so as she walked away across the golf class greenish, he commented on her figure: "Nicely packed that child...At that place's not much meat on 'er, but what's in that location is cherce" their final determination to become married: "Together, we can lick 'em all"
	Pee-Wee's Large Adventure (1985) the normal outfit of the quirky and nerdy man-child Pee Wee Herman (Paul Reubens) character (tight and small gray flannel suit, white shoes, a large ruby-red bow tie, with lipstick, etc.) the cartoon-similar toy/contraption-filled environment of Pee Wee'south home and the Rube-Goldberg breakfast routine he had created - in which he woke up and had breakfast completely fabricated for him (pancakes, two eggs and salary shaped like a happy face), topped off with Mr. T cereal Pee-Wee'due south worship of his ridiculously over-gadgeted beloved bike (customized and consummate with plastic lion'due south head on the handle-bar) the scene of Pee Wee'southward argument with his neighbor Francis Buxton (Mark Holton): ("I know you are but what am I?"), and "PeeWee!" ("That's my proper name, don't wear information technology out!") his famous remark after tumbling when he attempted to perform too many tricks on his bike, and told a grouping of young male person onlookers: "I meant to practice that!" his Rebel Without a Cause (1955)-inspired warning to beloved interest Dottie (Elizabeth Daily): "There's things almost me y'all don't know, Dottie. Things you wouldn't understand. Things y'all couldn't understand. Things yous shouldn't understand...Yous don't want to become mixed up with a guy similar me. I'm a loner, Dottie. A rebel" his delighted perusal of Mario'southward Magic Shop (trying on 10-Ray Spex, and at i point putting on an oversized ear and yelling, "WHAT? WHAT?") his anguished realization that his overly-chained ruby-red bike had been stolen - and collapsing in a bike store - causing a row of bikes to topple over his feverish questioning of Francis in an oversized bathtub - and PeeWee's offer of gum - that turned out to be "trick glue," the long basement coming together with Pee Wee's friends to discuss the loss of his wheel, including a big detailed map and scaled model, and exhibits to look at; the crazed Pee Wee began by presenting evidence: "This box contains over 217 $.25 and pieces of information, testify. Exhibit A: A photograph of the victims, my bike and me. Exhibit B: Another photograph. What's missing from this moving picture? It's just me -- WITHOUT MY Bike!...Exhibit C: The horn I was picking up at Chuck's Bikeorama when my wheel was really stolen! (He honked the horn loudly) Exhibit D: (He asked Jimmy) Jimmy what is this? Too tardily! (Then he asked Flake) Scrap!...(Scrap identified a pen) Exactly! I bought this pen exactly one hour before my bike was stolen. Why? What'south the significance? I DON'T KNOW!"; finally after over 3 hours and but at present discussing Exhibit S, Pee Wee was reminded that they were wasting valuable fourth dimension and maybe he didn't know what all of it was supposed to mean; Pee Wee was incensed: "Supposed to mean?! I recall everyone here knows what this is supposed to mean. When you've gone over something again and over again and once more and again like I have, sure questions go answered. Others bound upward! The mind plays tricks on you. You play tricks back! Information technology's like y'all're unraveling a big cable-knit sweater that someone keeps knitting and knitting and knitting and knitting and knitting and knitting and knitting!" Pee Wee's search for his bicycle during a tour of America subsequently a sham fortune-telling gypsy named Madam Ruby (Erica Yohn) told him it was in the Alamo's basement while hitchhiking, Pee-Wee'south helping of a fugitive con Mickey (Judd Omen) to escape the law past pretending to be his wife, and telling an officer when asked to footstep out of the car: ("Why don't you lot have a picture? Information technology will last longer") his crashing the car and strolling around in total darkness (cartoonishly, only his eyes were seen) Pee-Wee'due south startling and hysterical come across with the ghost of deceased trucker Big Marge (Alice Nunn) Pee-Wee's nightmares about the fate of his wheel (eastward.g., eaten past a T-Rex, destroyed by clown surgeons) Pee-Wee proving over the phone that he was in Texas (he shouted "The stars at night are big and bright...", and a crowd sang back: "...deep in the heart of Texas!") Pee-Wee's visit to the Alamo in San Antonio, the tour, and his question: "Where'southward the basement?...Aren't nosotros gonna see the basement?" and his astonishment when informed: "In that location's no basement at the Alamo" spoiled child thespian Kevin Morton (Jason Hervey) growling at his director: ("Doesn't it wait similar I'm ready? I am ever gear up! I take been gear up since showtime telephone call! I am ready! ROLL!") the cameo appearance of heavy metallic rock group Twisted Sister Pee-Wee'due south escape from the Warner Bros. studio lot where his bike was somewhen located as a prop for a motion-picture show - ensnaring Santa Claus, Godzilla, and swinging beyond a ravine on a bike and yodeling like Tarzan Pee-Wee's hilariously deep-voiced cameo in a Hollywood movie about his own story, when he took the function of a ruby-red-uniformed bell-hop and delivered a PA declaration: ("Paging Mr. Herman, Mr. Herman, y'all have a telephone call") the evocative endmost shot every bit the silhouettes of Pee-Wee and Dottie bicycled sedately in front of the kissing Hollywood versions of themselves
	The Philadelphia Story (1940) the very funny, extended opening argument prologue scene (without dialogue) in which alcohol-abusing ex-married man C.Thousand. Dexter Haven (Cary Grant) grabbed and palmed heiress and rich socialite Tracy Lord's (Katharine Hepburn) face and forcefully pushed her backwards into the doorway of a grand estate and to the floor (out of the frame), later on she had broken i of his golf clubs into two pieces, and tossed him out of their home the film's witty dialogue: ("The prettiest sight in this fine pretty world is the privileged class enjoying its privileges") Dexter's continuing antagonism toward his male person rival George Kittredge (John Howard), who was about to ally Tracy: "You don't look also every bit when I concluding saw you, Kittredge. Oh, you poor fellow. I know just how yous feel...Why, you don't expect old plenty to go married. Not even the kickoff time. And then you never did"; when Tracy insulted him, Dexter replied: "That'south the onetime redhead, no bitterness, no recrimination, just a good swift left in the jaw" tabloid reporter-announcer Macaulay "Mike" Connor'due south (Oscar-winning James Stewart) drunk scene with Dexter, when Mike asserted: "Are you however in love with her?...I don't know, I-I can't understand how you lot can have been married to her and still know so little nearly her?...But when a girl is like Tracy, she'south 1 in a million" the champagne drinking and moonlight poolside pond rendezvous scene between tipsy heiress/helpmate-to-be Tracy and Mike when he made a marriage proposal to her: "There's a magnificence in you, Tracy...A magnificence that comes out of your optics and your vocalization and the way you stand there and the fashion you walk. You're lit from within, Tracy. You lot've got fires banked down in you. Hearth fires and holocausts...No, you're made out of flesh and blood. That's the bare, unholy surprise of it. Why, you're the golden girl, Tracy, full of life and warmth and delight. Well, what goes on? You've got tears in your eyes") - and then after some unexpected and melodramatic kissing, she exclaimed softly: "Golly", then took a breath and kissed him a second time - she stood in his artillery, her cheek against his breast, overwhelmed and amazed at herself and starting to shake: "Golly Moses" the surprise wedding finale when Tracy married erstwhile husband Dexter at the last minute - and the freeze-framed last image
	Pillow Talk (1959) the many shared party-line telephone scenes, filmed with vertical and other split-screens, between carefree, philandering, bachelor playboyish neighbor and songwriter Brad Allen (Stone Hudson) (who pretended to exist drawling Texan Rex Stetson to hide his real identity) and virginal interior designer career girl January Morrow (Oscar-nominated Doris Twenty-four hour period) their famed bathtub scene implying that they were in the same bathroom and playing footsie with each other - across screens; during one phone encounter, Jan extended her foot and flirted: "You'll find that almost people are willing to encounter yous halfway - if you let them" and his additional pretense, when he (every bit Brad) told Jan on the telephone that he suspected that Rex was gay: ("Must I spell it out?...There are some men who just, uh, they're very devoted to their mothers, you know, the type that likes to collect cooking recipes or exchange bits of gossip") -- with the additional subtext of Hudson's real-life homosexuality -- but and then she urged Rex to prove his manhood during their adjacent date: ("King, don't you find me attractive?...Well, then, why haven't yous ever?...All the times that nosotros've been going out together, y'all've been a perfect gentleman...Yous take. And I capeesh it, really I do...Simply ...well, being such a perfect admirer and all, it's not very flattering"); when he called their relationship a "friendship," she had to show him incorrect with a buss: ("Is that all it is with us, a friendship?"); he responded: ("Ma'am, that's a direct question. l think it deserves a directly respond")	Split-Screen Bathtub Flirtations "Must I Spell information technology Out?" Proving Him They Had More Than a Friendship
	The Pink Panther (1963) in this particular tale, Blake Edwards' caper comedy - the offset motion-picture show that introduced the long-running one-act series, it began with the title: "Once Upon a Fourth dimension...," a priceless gem was presented to sultan Shah of Lugash's young daughter (who would after abound up to be beautiful Indian Princess Dala (Claudia Cardinale)); the camera zoomed into the diamond; a slight discoloration flaw in the large pink diamond - a leaping panther - led it to be dubbed "The Pink Panther" the feline drawing character of the Pink Panther appeared to perform antics with the lettering during the introductory opening credits (this was the debut of the famous animated feline with his various funny antics) accompanied past Henry Mancini's archetype jazzy-bluesy music the film'south twisting plot regarded the pinkish diamond - the object of desire by suave, white-monogrammed glove-dropping playboyish jewel thief Sir Charles Lytton (David Niven) aka The Phantom, who had but recently struck over again in Rome, Italy; Sir Lytton wished to steal the Pink Panther jewel from its owner - past romancing the developed Princess Dala (Claudia Cardinale), while helped past Clouseau's unfaithful married woman Simone (Capucine) who was conspiring backside Clouseau's back (every bit Lytton'southward lover); anybody was staying at an exclusive Northern Italy ski resort where all the main characters were clamoring to get their hands on the 'Pink Panther' later on rebels had taken over Lugash and demanded that the Princess plow over the precious stone the amusing character of bumbling, heavy French-accented Inspector Jacques Clouseau (Peter Sellers); he first appeared impatiently sitting at his desk in Paris; he rose, spun a huge world globe, glanced out the window, and confidently pronounced that they needed to discover the first female person "link" to the Phantom: "We must find that woman." He was swiftly thrown to the flooring after touching the rotating globe a 2nd time; just and then, his wife Simone entered - the actual 'woman' in question; Clouseau was unaware that she was the Phantom'south cohort and lover, who often warned the robber about Clouseau'south whereabouts the scene in Clouseau's chamber with Simone, of the Inspector playing his expensive Stradivarius violin (after he stepped on it and destroyed information technology, he blithely quipped: "Information technology's no matter. When you've seen one Stradivarius, you've seen them all") after numerous attempts to take sex with the very deceptive Simone (who was continuing to hide both Lytton suitors from him) the archetype hide-and-seek scene in which Simone juggled two suitors in her resort chamber: she had to divert Clouseau's attention from both Lytton and Lytton's American indebted playboy nephew George (Robert Wagner) (pretending to exist a college graduate) who were hiding - George in her bathtub in her bath, and Sir Charles under her bed; when Clouseau came into the room angrily asserting: "That phone phone call was a ruse", he stumbled onto the flooring - as she asked: "Are yous hurt, my darling?"; both Lyttons institute it impossible to sneak out of the room the costume-party scene in Dala'due south Roman villa, in which the bumbling detective wore a heavy adjust of armor and chastised a Sergeant dressed in the zebra costume for wearing stripes: "How dare y'all drink whilst y'all're on duty!...Any more behavior similar this, and I'll have your stripes!" the scene of both Sir Charles and George robbing a rubber in similar gorilla costumes (a take-off of the Duck Soup (1933) mirror scene), and finding the safe empty; when discovered past Clouseau at the criminal offence scene, they escaped and a wild car chase scene ensued through Rome's streets until all the vehicles collided into one some other and created a large pile-up both of the Lyttons were incarcerated, and George admitted his dishonesty in pretending to be a higher grad; his father reacted: "A certain corporeality of dishonesty is leap to beget a certain amount of dishonesty"; Clouseau spoke to both jailed inmates and accidentally put both of his fists into pots of porridge as he threatened them: "You're going to exist here for the next xx years" in the film's conclusion, Princess Dala (who had stolen the diamond for herself) and Simone hatched a programme to frame Clouseau as 'The Phantom' and save Sir George (Dala: "I'd gladly cede it to save Charles...To save Charles, we must bear witness that someone else stole it") at the cease of the trial, Clouseau was called to testify on the stand equally a defence force witness; he was implicated in all of the thefts, and possibly guilty because Simone had purchased expensive wearing apparel and a mink glaze; as Clouseau pulled out his handkerchief, attached to information technology was the gem planted in that location by Simone - implicating him as the Phantom; on his manner to jail, he was swarmed by women and envied by ii Italian policemen who believed that he was the Phantom and now a national hero; when asked: "Tell me, lnspector, Signor Phantom, all those robberies, how did you lot ever manage information technology?", Clouseau delightfully took credit and admitted: "Well, yous know, information technology wasn't like shooting fish in a barrel"	The Flaw in the Pink Diamond - a "Pink Panther" Opening Credits "The Phantom" Strikes in Europe (Rome) Jewel in High Demand Clouseau's Broken Stradivarius Costume Political party Two Lytton Gorilla Thieves Stealing From Dala's Safe Vehicle Collision Pile-Upward Both Lyttons in Jail Both Fists Placed in Pots of Porridge During the Lytton Trial, Clouseau Was Framed as the Phantom Gem Thief Clouseau: "Well, you know, it wasn't easy"
	The Pink Panther Strikes Again (1976) the many destructive duels between foolish Inspector Clouseau (Peter Sellers) and his manservant Cato Fong (Burt Kwouk) the graphic symbol of twitching and increasingly insane Principal Inspector Dreyfus (Herbert Lom) - Clouseau's boss and nemesis - who was obsessed with killing him the scenes of numerous failed assassination attempts upon Clouseau'south life the scene of Clouseau's hunchbacked Quasimodo disguise that inflated him and carried him over Paris and dropped him into the Seine River also the scenes in which he displayed his prowess and skill on parallel confined in an English language country home's gymnasium and dismounted by vaulting down a staircase, and then as he conducted an investigation ("There is much more going on here than meets the ear"), completely destroyed an expensive Steinway piano when swatting a bug ("What is the price of ane pianoforte compared to the terrible crime that's been committed hither?"), burned his hand in the fireplace ("My paw is on fire") and near shot Superintendent Quinlan (Leonard Rossiter) when he saluted him (with a vase on his paw), knocked himself backwards, and savage into a gun rack the bedroom scene when Clouseau was surprised past Russian operative Olga Bariosova (Lesley-Anne Down) in his bed, and a corpse in his bathtub ("There is a beautiful woman in my bed, and a dead homo in my bathroom") the various word and sight gags, including the innkeeper scene in which Clouseau had a mangled French accent with the elderly Bavarian innkeeper-hotel clerk (Graham Stark): ("Tell me, practise y'all have a rheum?...Zimmer...That is what I have been saying, you idiot. Reum. Zimmer") and the dog scene in which Clouseau asked the innkeeper: "Does your dog bite?" - when told no, he petted the "nice doggie" dachshund that snarled and flake him - and retorted dorsum: "I idea you said your dewg did non bite!" - with the innkeeper's reply: "Zat... is not my canis familiaris!" his many drastic and inventive attempts to cantankerous a drawbridge and moat into Dreyfus' gothic Bavarian castle and the scene of Clouseau (posing as a dentist) attempting to administer a dose of laughing gas (nitrous oxide) to Dreyfus to extract a bad molar - and poking him in the centre ("I don't usually brand castle-calls in the center of the nighttime") - and then intoxicating both of them with an overdose, marked past uncontrollable laughter and the dissolving castle scene in which the bumbling Clouseau zapped Dreyfus with his ain malfunctioning "doomsday motorcar" - and the lower one-half of Dreyfus' body vanished when information technology was 'erased' likewise as much of his castle
	Pirates of the Caribbean: The Curse of the Black Pearl (2003) the memorable introduction of pirate Captain Jack Sparrow (Oscar-nominated Johnny Depp) as he sailed into Port Majestic, Jamaica while standing and balancing himself on the crow's nest of a transport in a seemingly dramatic, heroic archway to a swelling score, but quickly revealed to be in a sinking dinghy - when he reached the wooden pier, only the very tip of the mast was showing to a higher place water, and then, in a perfectly-timed motility, he stepped onto dry out land from the submerged boat
	Programme ix From Outer Space (1959) t he howlingly bad dialogue and acting, specially by Eros (Dudley Manlove): ("Because all you lot of Earth... are idiots!", "Your stupid minds! Stupid! Stupid! Stupid!") the pathetic attempts to showroom 'The Ghoul Man' grapheme (Bela Lugosi, who passed abroad during filming, portrayed by chiropractor Tom Mason) past covering the lower part of his face with a greatcoat throughout the film the shooting death ray at 'The Ghoul Man' (a reanimated corpse) and and then when his cape was removed, his rapidly-decomposed skeletal remains were revealed the laughable special effects and inexpensive sets (i.e., the shoddy cockpit of the aeroplane), and the bad continuity (day and nighttime alternated within scenes)